Magic Carpet - Bob Berg - New Birth (CD, Album)

8 thoughts on “ Magic Carpet - Bob Berg - New Birth (CD, Album)

  1. Bob Berg was a Julliard graduate influenced heavily by the late period of John Coltrane's music. A student from the Hard-Bop school, he played from with Horace Silver and from with Cedar Walton. Berg became more widely known through his short period in the Miles Davis band. He only stayed for one album l read moreMissing: Magic Carpet.
  2. Find album reviews, stream songs, credits and award information for New Birth - Bob Berg on AllMusic - - Tenor saxophonist Bob Berg's debut as a leader is 8/
  3. Dec 05,  · Tenor saxophonist Bob Berg channeled the bold dynamics of hard bop to emerge as one of contemporary jazz's most expressive and resourceful improvisers, honing a richly articulated sound bolstered by flawless Read Full Biography. Overview ↓ Biography ↓ Discography ↓ Songs ↓Missing: Magic Carpet.
  4. Magic Carpet's profile including the latest music, albums, songs, music videos and more updates.
  5. Audio CD, Import, April 22, "Please retry" $ $ $ Audio CD Bob Berg - New Birth with Tom Harrell, Cedar Walton, Al Foster. Product details. Vinyl; Trane obviously had a big impact on Berg but stylistically, this album is a nice mix of styles. Electric keys or bass where needed, some Cuban son rhythms, some funk, a /5(5).
  6. An excellent set of recordings from a unique moment for the Xanadu Records label – an imprint that was carrying the torch of the Prestige label style well into the 70s – also run by that label's old head, Don Schlitten! The tracks here were all recorded live in Dakar – by a tight quintet that features some of the best Xanadu players at the time – both Al Cohn and Billy Mitchell on.
  7. BOB BERG, tenor sax TOM HARRELL, trumpet, flugelhorn CEDAR WALTON, piano MIKE RICHMOND, bass SAM FIGUEROA, percussion AL FOSTER, drums New York City, May 12, TRACKS: You’re My Thrill Pauletta Neptune This Masquerade Shapes Magic Carpet I’ll Let You Know (*) (*) BONUS TRACK.
  8. Bob Berg's always been a heck of a great tenor player, but he sounds especially great on this early album as a leader – a tight and soulful session cut with Cedar Walton on keyboards, Al Foster on drums, and Tom Harrell on trumpet! The groove here is freewheeling but straightforward – a bit like the Art Blakey style of the Prestige years – in which the band pulsates with a.

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